《吾友烏有》於三月十三日在漢雅軒開幕，香港國際電影節的一個星期前。這個作品也是對香港國際電影節的致敬、戲謔，與借題發揮。以二十八部虛構的電影建構出一個小型的電影節，為他們畫劇照 、寫簡介、設計海報並拍攝預告片，藉此作品向電影大師包括胡安瑪．巴喬．烏略亞、安哲羅普洛斯、格雷安．葛林、阿比查邦．韋拉斯塔古、奇斯洛夫斯基及尚﹣盧．高達致敬。
這個由畫作、文字和錄像構成的展覽，如同真的電影節一言難盡。二十八部電影，有些企圖整理電影節的脈絡，有些向死去的創作者揮手，有些則藉簡介文字模糊權威的邊界，有些和身邊的藝術家開玩笑。有些不過是藝術家的癡心妄想，在苦無技術、資金與時間的景況下，聊勝於無，讓概念在虛構裡存活。

Inter vivos，意指生者之間。生者都在席上，而亡者在另一邊成了一台戲。事情在虛構裡成為可能，並千真萬確地發生。何倩彤作為忠實的電影節觀眾，從來不單純把互文性當作一種知性的遊戲。因為那些我們認為不存在的、遙遠的隱喻和載體，在電影院的黑暗裡，明明都是我們最親密的朋友。
“Hong Kong Inter-vivos Film Festival 2012” is an imaginary film festival created by artist Ho Sin Tung. The exhibition consists of 28 imaginary films, paintings of fake/imagined film stills, movie posters, and videos of movie-trailers filmed by the artist. With this project Ho Sin Tung pays homage to masters including Juanma Bajo Ulloa, Theodoros Angelopoulos, Graham Greene, Apichatpong Weerasethakul , Krzysztof Kielowski and Jean Luc-Godard.
Each of the 28 films belongs to a category created by Ho. They include „Masterpiss‟, „Classic Restoriette‟, „The Advance Guard‟, „Mocumentary', “Movie I want to make if I had the budget,” etc. Within these categories, Ho mocks the authority of classics to discuss the phenomenon of HKIFF, and sate her own desire to make film.

Although the Latin term "inter vivos" can be directly translated as “between the living” – but only in fictional world are such things possible. The distant metaphors and virtual bodies on screen are the closest one gets to such dreams.
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Exhibited in
"Hong Kong Inter-vivos Film Festival" Hanart TZ Gallery, Hong Kong (2012)
"The 9th Shanghai Biennale" Shanghai Museum of Contemporary Art, Shanghai (2012)
"Hong Kong Contemporary Art Award 2012" Hong Kong Museum of Art, Hong Kong (2013)
這個由畫作、文字和錄像構成的展覽，如同真的電影節一言難盡。二十八部電影，有些企圖整理電影節的脈絡，有些向死去的創作者揮手，有些則藉簡介文字模糊權威的邊界，有些和身邊的藝術家開玩笑。有些不過是藝術家的癡心妄想，在苦無技術、資金與時間的景況下，聊勝於無，讓概念在虛構裡存活。

Inter vivos，意指生者之間。生者都在席上，而亡者在另一邊成了一台戲。事情在虛構裡成為可能，並千真萬確地發生。何倩彤作為忠實的電影節觀眾，從來不單純把互文性當作一種知性的遊戲。因為那些我們認為不存在的、遙遠的隱喻和載體，在電影院的黑暗裡，明明都是我們最親密的朋友。
“Hong Kong Inter-vivos Film Festival 2012” is an imaginary film festival created by artist Ho Sin Tung. The exhibition consists of 28 imaginary films, paintings of fake/imagined film stills, movie posters, and videos of movie-trailers filmed by the artist. With this project Ho Sin Tung pays homage to masters including Juanma Bajo Ulloa, Theodoros Angelopoulos, Graham Greene, Apichatpong Weerasethakul , Krzysztof Kielowski and Jean Luc-Godard.
Each of the 28 films belongs to a category created by Ho. They include „Masterpiss‟, „Classic Restoriette‟, „The Advance Guard‟, „Mocumentary', “Movie I want to make if I had the budget,” etc. Within these categories, Ho mocks the authority of classics to discuss the phenomenon of HKIFF, and sate her own desire to make film.

Although the Latin term "inter vivos" can be directly translated as “between the living” – but only in fictional world are such things possible. The distant metaphors and virtual bodies on screen are the closest one gets to such dreams.
///
Exhibited in
"Hong Kong Inter-vivos Film Festival" Hanart TZ Gallery, Hong Kong (2012)
"The 9th Shanghai Biennale" Shanghai Museum of Contemporary Art, Shanghai (2012)
"Hong Kong Contemporary Art Award 2012" Hong Kong Museum of Art, Hong Kong (2013)
