第二部份：影迷監你玩 | Part Two: Hai Gum GaLa Presentation
凱撒的沙律 Caesar Must Live, Pencil on paper, 19 x 34cm, 2012
奪命證 Life Without a Pass, Pencil on paper, 19 x 34.3cm, 2012
那些年，獸遭遇的你也遭遇 You are the Sucker of My Eyes, Pencil on paper, 19 x 34.3cm, 2012
大佬愛小丑 Money Pylon Cirkus Romantica, Pencil on paper, 20 x 35.5cm, 2012
港男．藝術．維納斯 Art Play Love, Pencil on paper, 18.5 x 34cm, 2012
博爾嚇屍 The Dead, The Death and The Deathly, Pencil on paper, 19 x 34cm, 2012
陣間看地球 Earth Lives, Pencil on paper, 18.7 x 34.2 cm, 2012
詩映 Private Viewing, Pencil on paper, 20 x 35.5cm, 2011
鍊金術 I shall come forth as gold, Pencil on paper, 19 x 34cm, 2012
殺，這是我的身體 Cluedid, Pencil on paper, 19 x 34cm, 2012
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凱撒的沙律
導演：安貝托．波西里尼／意大利／2011／113mins 波西里尼的「獨裁者三部曲」第二部惡搞凱撒，教凱撒在刀光劍影下誤墮時空隧道，來到千禧年做新鮮人，無朋友的凱撒硬啃冷飯菜汁，生無可戀之下唯有把自己KO，卻給靚仔廚師返魂有術。死過翻生的凱撒毅然要成為名廚，要做出名留青史的凱撒沙律。想安居樂業，天意卻再來弄人……獨裁者從未如此可愛，與較嚴肅的第一部《吧托啦！鐵托》(2009) 大異其趣，處處尖酸的揶揄。勇奪意大利影評公會最佳男主角獎和西班牙奇幻電影節觀眾投票獎。 Caesar Must Live Director: Umberto Bossilini / Italy / 2011 / 113min Cast: Luigi Battenson, Samuelo Ricci, Antonio Petrovna The second episode of Bosslini’s Dictator Trilogy focuses on Caesar; who, as he is about to be murdered, falls into a time tunnel and emerges into a new millennium. Starving and lonely, Caesar tries to kill himself. The attempt is a failure as a handsome chef saves him - and then teaches Caesar to make Caesar Salad, which restores his faith in life. To be (a dictator) or not to be? That is a question. Caesar has never been so cute, a totally different approach from the trilogy’s serious first episode, Tick Tock Tito (2009). Winner of the Italian Critics’ Association Best Actor Award and the Spanish Fantasy Film Festival Audience Award. 奪命證
導演：杜青雲／香港／2011／109mins 剛失業的影迷彼得，父親是個好色的酒鬼，母親則長病慢慢眼超超，家裡還有對智障的雙胞胎弟弟和一隻患了燥狂症的狗；流落異鄕的影評人保羅與分隔兩地的妻子陷入婚姻危機，妻子偷偷在夜總會工作，更在那裡染上了愛滋病，而且還把病傳給了年僅五歲的兒子，囝囝也因初嘗愛情的禁果而把病傳給了他的幼稚園老師；下星期便要退休的老警花瑪莉雖個性腼腆並患有嚴重潔癖，卻仍然在苦尋破處良方。一次次電影節加價、一張墮地的電影節VIP證，引發了影迷間的終極矛盾。三個人的命運交織在一起，人食人，其實是冥冥中注定。 Life Without a Pass Director: Johnny Talker / HK / 2011 / 109min Cast: Lawrence Ng, Lawrence Ng, Lawrence Ng Movie fan Peter is laid-off from work. His father is a drunkard, while his mother has lain on a sickbed for years, alongside a pair of mentally disabled twins and a dog. Alternatively, movie critic Paul is in the midst of a marriage crisis and whose wife secretly works in a nightclub, and acquires AIDS. Her sickness is transmitted to her 5-year old son, who tries ‘forbidden fruit’ with his kindergarten teacher, transmitting the disease to her. Mary is an older police officer looking to break her own virginity. Ticket price rises at a film festival ultimately lead to an interlocking of destinies for everyone. 那些年，獸遭遇的你也遭遇 導演：尼加利瑪．紀登斯／印度／2011／187mins 為甚麼主流青春片不是藍天白雲的寶礦力廣告，便是烏煙瘴氣的墮落日記？不如就將個性蒼白如紙的女神主角，換成黑皮膚的癡肥少女；再把耍帥男角換成咸濕爆瘡的矮仔。並將冤家變知己的老套情節一概保留，模糊唱歌與叫春的界限。如果最後觸不到的戀人成人妻，又如果少年沒有名成利還是照去妳的婚禮，觀眾奪回的還是不是同一份青春？試問一分鐘濫竽充數的意淫自瀆怎會是幽默？導演索性呈現二十分鐘足本的全方位打手槍蒙太奇，向經血、精液、油脂與荷爾蒙乾杯。 You are the Sucker in My Eyes Director: Najkilmar Giddens / India / 2011 / 187min Cast: Ail Khan, Omi Kapoor, Pitobush Joshi Why do mainstream teen movies only appear in the fresh, bright style of a Pocari Sweat advertisement, or as degenerative as a fallen angel? In Giddens’ latest teeny romp, he chooses his main characters to be a huge fat black woman (instead of a skinny white goddess), and a short lewd guy with a face covered in sores (instead of a handsome prince). The old story of bitter enemies becoming lovers is resurrected in this operatic drama – and, eventually, the lovers separate and the girl becomes another man’s wife. The director ends it all with a twenty-minute montage of masturbation from many perspectives. A cheer for menstrual blood, semen, fat and hormones! 大佬愛小丑
導演：佩德羅．阿里阿爸／西班牙／2011／114mins 少年大佬自小迷戀取景馬戲團的恐怖電影，扭曲的小心靈早已成鐵，立志要成為極權剝削的馬戲班主，近距離接觸異色畸型的愛恨情仇。長大成人後以為願望終於成真，誰知道他召來的團員個個憨鳩草食，空中飛人幾角戀庭外和解，連體人與芋蟲相愛十年，蛇女與毛男連生貴子，連嗜血猛獅也滾地如家貓，無論他如何挑撥離間，帳篷內也笑聲笑聲滿載溫馨。忍無可忍的鬼畜團長唯有請來剛出獄的小丑殺人狂企圖家變，誰知作法自綁，他竟如爛泥般戀上邪惡小丑，墮入愛與殺的邊緣。 Money Pylon Cirkus Romantica Director: Pedro Aleiahbar / Spain / 2011 / 114min Cast: Leon Waiting, Jake Cámara, Penelope Cruise Since childhood, the young boy Leo is fascinated with circus scenes in horror movies. Consequently, he decides that after he grows up he will become a circus owner with disciplinarian tendencies and enjoy the strange eroticism of the exotic circus. After realizing his dream, he ironically manages a circus troupe that is atypically jovial. The Siamese twins have been in love - together - with a caterpillar. The snake woman has children with the hairy man. Even the lion rolls on the ground like Hello Kitty! The angry mischief-maker cannot bear a circus of laughter, so hires a new member for the circus, the killer clown; with whom he promptly falls in love. A satirical tour de force! 藝術．港男．維納斯
導演：彼得．雲拿威／日本 ／2011／126mins 平凡外太空研究學生阿博快於大學畢業，前路已够茫茫，怎知因為大學制度混亂，期末他驚覺學分不够，要接受學院指派的非人任務方可畢業。教授配給他的「工作」，竟是帶由金星派來的畫廊代表參觀地球藝術！原來金星藝術節在即，畫廊在積極尋找新血。起初阿博討厭金星少女的傲慢，亦為自己苦無藝術常識而煩惱，誰知在過程裡他愛上了藝術也愛上了外星少女。可惜在少女找到合適藝術之時，就是二人分開的時候，不捨佳人的阿博挺而走險，決定帶少女踏上壞藝術之旅… Art Play Love Director: Peter Runaway / Japan / 2011 / 126min Cast: Hinsin Canada, Sino Yoboku, Konga Yuwa, Ona Yoritama Pok is an ordinary student who studies Aeronautical Science. Due to a mix-up at his university, he has not gained enough credits to graduate; so, to complete his studies he is assigned a special task: to be the guide for a representative of an art gallery from the planet Venus visiting Earth to see art. Initially, Pok does not like the haughtiness of the Venus girl; and, is worried about his lack of art knowledge. Slowly, however, he falls in love with art and the girl! In an attempt to delay her inevitable return to Venus he devises a strategy: he only shows her bad art… 博爾嚇屍
導演： 阿道弗．盧古拿／智利／2011／106mins 草食男博爾是殮房職員，擁有大量屍人空間的他過著規律而乏味的生活。直到一把古董手術刀把他的世界翻天覆地。此毒痹刀乃二戰遺物，擁有不可思議的力量，能把被它切割的屍體起死回生。翻生喪屍們雖然面色差左啲，但極度馴良。慈心大發的博爾把他們一一收進秘密地牢供養，更與他們相濡以沫。怎知殺出政府秘密組織來偷屍，活人死人唯有來一場無槍起義。彷彿卡神《看不見的城市》裡的優薩匹亞，七十三號房也顯然是源自那些年的憶記，為去年智利影壇的話題作。 The Dead, The Deadth and the Deathly Director: Adolfo Noguera / Chile / 2011 / 106min Cast: Juan de Dios Leoncini, Rafael Alejandro Correa, Nataly Torres Ibáñez Bor is a bored mortuary worker whose life is unremarkable until he finds a second-hand surgical knife in an antique shop. This magical knife has the power to bring the dead back to life – which it does. Out of compassion, Bor hides ‘reborn’ zombies in his basement, and eventually develops a strong affection towards them. However, a secret government mission to steal the corpses is aborted after a political uprising becomes a threat to this underground world…Inspired by Eusapia in Italo Calvino’s Invisible Cities with references to Room 73 an obvious memorial to recent Chilean history. 陣間看地球
導演：佩德羅.岡薩雷斯﹣帕羅姆比尼／墨西哥／2012／82mins 以establishing shot作電影開首是司空見慣的事，但你又怎知這凝視會自此紋風不動直到電影的末了？八個段落聚焦八個風景，乍想以為是𣊬間看地球，實質日光底下發生的事情有紋有路——冷靜的鏡頭仿似以天主的視角居臨，人如螻蟻於地上穿梭，人來人往當中誰是演員，似是找威利遊戲，要到段末才揭盃。角色以畫外音對話，劇情一貫是狗男女式的苦痛掙扎，唯從來他們的悲慘世界有血有淚有鼻涕，這次卻從人世的煩瑣間抽身，以距離消弭被我們無故放大的苦痛。 Earth Lives Director: Pedro González-Palombini / Mexico / 2012 / 82min Cast: Gael García Arnal, Javiser Boredem An “establishing shot” is often used during the beginning stages of a film to identify a place - however; you would not expect a single image to be frozen from the beginning till the end of a movie, would you? Eight different landscapes appear as Earth Live segments as seen on TV, but beneath each scene is a story. A calm angled shot using the perspective of God shows men as ants walking on the street; and answers are revealed only at the end, just like in the game “Where’s Wally”. Talking is done off-screen, a technique used in the similarly painful Love-is-a-Bitch and the director’s introspection is built-up between different scenes. 詩映
導演：以諾察邦．哇呀呀呀哈古／泰國／2011／167mins 《詩映》日出康城，立即技驚四座。眾所周知，以諾察邦常以文本之網作場面調度，街道、房間、衣衫，全是影迷心領神會的déjà vu。分明誘引觀眾群起考據。今次符號不與你捉迷藏，安定於戲中戲讓你看個飽。小夫妻hea爆於閨房，鏡頭與你們同hea。兩人分別作觀影馬拉松，不聞不問，各自修行。人戲兩重奏貌甚和諧，但其實給剪得肢離破碎的經典有話要說。光影流轉間，你竟對這一男一女有了100%的同理心。法國觀眾說離場時似食了成打懵仔丸，能把家常便飯拍得如此迷離科幻，難怪成為今年國際影節的寵兒。 Private Viewing Director: Enochatpong Waaasethakul / Thailand / 2011 / 167min Cast: Geek Kaewaaadee, Dumby Blondeng Private Viewing was widely praised after its first screening at the recent Cannes Film Festival - where every member of the audience knew Enochatpong’s signature use of webs of context to weave different scenes. The street, the room, and clothing are all in déjà vu – an alluring examination for an audience. However, in this outing symbols don’t play hide-and-seek, but settle within the movie to satisfy your appetite. The couple rest lazily in their room, and the camera lazily gazes with the audience. The couple remain silent and work. And, the audience has total empathy with this man and woman. No wonder it is the star attraction of all this year’s international film festivals. 鍊金術
導演：哪媽．布勒克／以色列／2011／95mins 想像一個這樣的世界：假如所有傷口都不會復原，你的身心會記住哪怕是最微小的刮損與撞擊，並且一直惡化下去？哪媽把這個不可設想的命題實體化，塑造了一個無可救藥的病態世界。其中所有住民，這個斷手那個斷腳，這個發炎那個潰瘍。所謂劇情不過是居民的日常生活，與我們並無異樣，只是那些被我們認為會輕易痊癒的小傷都被送給永恆。不妨劇透：最後所有人都變成一坨肉醬，但這還不算恐怖，靈魂創痛的恆久折磨才是世界最重的口味。獲克羅地亞奇幻電影節金鼠獎。 I Shall Come Forth as Gold Director: Naamah Pollak / Israel / 2011 / 95min Cast: Adi-Ben Ofek, Gali Yagev, Jonathan Shulov Imagine life where every wound suffered by your body will never heal and your body - and soul - will recall every hurt, even the smallest scratch. Your only future is complete deterioration. Naamah Pollak understands this impossibility, but creates an incurable, morbid world. The people inhabiting such a place have scars all over their bodies; and, at the same time, are exceptionally careful. Every little transient injury becomes eternal and dire fate is predicted for everyone. The deterioration of the body is not the most horrific outcome, but rather the heartbreak and eternal, unforgiving torture of the soul. This film earned the Golden Mouse Award at the Festival Fantasia of Croatia. 殺，這是我的身體 導演：荷西．E. 迪耶蓋斯／巴西／2011／95mins 自一九四九年妙探尋兇遊戲推出以來，它被無數次的改編，現身紙頁與熒幕。不過故事總流於尋兇探秘，人物刻畫往往較為呆板。迪耶蓋斯卻嘗試將焦點重新放在六位角色身上，要把他們之間的恩怨情欲一一拆解。所有破壞大宅平衡的入侵者都被殺死，他們卻無法像桌上遊戲那般每個回合重新做人，謀殺的罪孽層層累積，困在莊園永不超生。這個牢不可破的共同體，被迪耶蓋斯形容為舊世界的守護者，只可惜推土機的聲音已經在逼近。獲里約熱內盧電影節銀獎。 Cluedid Director: José E. Diegues / Brazil / 2011 / 95min Cast: Mrs. Peacock, Miss Scarlet, Mrs. White, Professor Plum, Colonel Mustard, Reverend Green Since the game of Cluedo was released in 1949, it has undergone numerous adaptations in literature and film. However, the stories always focus on finding the murderer and the depiction of characters is usually mundane. Director Diegues tries to shift the focus to the six individual characters and break down the complicated ties between them. Every intruder who enters the house and who attempts to destroy its perfect balance must die. The only difference between the game and reality is that the scenes cannot be replayed and the sinfulness of murder only increases and can never be resolved. Cluedid won the Silver Award at the Rio Film Festival. |
